[REC] 2
By Davor Mamuzic
Toronto International Film Festival in Review 2009
[REC] 2

Directed and written by the Spanish duo Jaume
Balagueró and Paco Plaza, this sequel to the Spanish horror film
which was unfortunately remade into a Hollywood's version called
Quarantine that features the same storyline, same shots with
English dialogue.
[REC] has finished with the unhappy ending, and [REC]2 follows that same plot fifteen minutes after the first story has finished. But this time, the story is viewed through the team of a SWAT and a medical officer's point of view as they try to uncover the possible survivors. The concept doesn't change within its primary set boundaries with the first person point of view and mocumentary style of shooting, while the story itself changes 360°.
This film features the dramatic build up and the pay-offs with
the in-your-face type scares which work effectivelly within its
limits. And, needless to state, the special effects makeup
department have pushed their limits of European cinema with this
feature.
Trailer: (caution, graphic images)
IMDB - http://www.imdb.com/title/tt1245112/fullcredits#writers
Rating: 4 / 5
The Day Will Come (Es kommt der Tag)
By Davor Mamuzic
Toronto International Film Festival 2009 in Review
The Day Will Come
Es kommt der Tag

The Day Will Come is a film directed and written
by Susanne Schneider which highlights the impact on decisions we
make in our rebellious youthful lifestyles and the damages it
could bring which will affect us in the future.
The story is set in France, as a young lady played by Katharine Schüttler intentionally damages her car and stumbles upon a vineyard owners played by Iris Berben and Jacques Frantz requesting refuge for a few days. As the story unfolds, Katherine's agenda becomes more clear as she holds a secret 30 years in making.
This film unveils intense acting and scenes between Katherine and
Iris, but unfortunately the story brings in the rollercoaster of
events which end up repeating throughout the film and eventually
come back to the same starting point, as the audience just waits
for it be restarted again with the same plausiable outcomes.
Trailer:
IMDB: http://www.imdb.com/title/tt1458550/
Rating: 2 /5
Prince of Tears
By Davor Mamuzic
Toronto International Film Festival 2009 in Review
Prince of Tears

This classic, true story is set in Taiwan during the 1950s which takes a journey of happiness in one light and bitter darkness in the next. This time period is known as the White Terror as Taiwan swept through its nation with the anti-communist campaign where people were inprisoned and some simply dissappeared without any trace.
The story follows a fighter pilot who served against the communist in the Mainland China who moves to the island of Taiwan with his wife Ping, and two daughters Li and Zhou. As this looks as a promising new life to his family; the darkness unveils onto them as Li and Zhou return home to find to house ransacked by military police and both parents inprisoned on suspicions they are communist spies.
Cinematography and costumes speak out and bring the White Terror
to a chilling and realistic horrors of the Taiwanese 50s through
a beautiful vision of Yonfan as he remembers it through his
childhood memories.
Trailer:
IMDB - http://www.imdb.com/title/tt1498834/
Rating : 4 / 5
Ctrl.Alt.Shift presents 5 Short films at Raindance
By Helen LynchCtrl.Alt.Shift launched a competition in 2008 inviting aspiring filmmakers to write a treatment based around one of three global issues – War + Peace, Gender + Power and HIV + Stigma.
Those who won would be given the opportunity to bring their
treatment to life on the big screen. In addition to being
provided with a budget and cast, the prize included the
money-can't-buy opportunity to be mentored by some of the UK's
finest directors such as Aoife McArdle, Chris Harding from
Shynola, Kinga Burza, Paul Andrew Williams and Jim
Threapleton.
The result of these partnerships is five brilliant, engaging
shorts which premiered on 14th May at Shoreditch Studios, East
London and were shown as part of the Raindance Film Festival last
week.
Now you can watch them from the comfort of your own PC!
HIV – The Musical
Written and Directed by: Joe Patrick and Tim Woodall
Mentor: Paul Andrew Williams
The main aim of Patrick and Woodall's film is to expose the ridiculous attitudes towards HIV. A series of video blogs posted by a young playwright, James McKenzie (played by Martin Freeman from The Office), whose artistic integrity is being challenged by the ignorance of a film company determined to hijack his script, represented by a producer played by Julian Barratt (The Mighty Boosh).
1000
Voices
Writer and Director: Tim Travers Hawkins
Mentor: Chris Harding (Shynola)
A verbose and politically correct bureaucrat (Adam Buxton) gives
a lecture to a group of teenagers on the merits of the UK's
efficient and humane asylum system, whilst meanwhile, in the same
building, detainees, imprisoned indefinitely in different
'Removal Centres' across the UK, leave messages in vain on an
abandoned telephone answering machine in the ministry basement.
Their messages detail the horror of the life that they have
escaped due to conflict.
Man
Made
Writer and Director: Fern Berresford
Mentor: Kinga Burza
This two-minute short, based around gender + power, tackles the
treatment of women as property and the lack of self worth and
identity women feel due to the gender inequalities prevalent in
many societies.
No Way
Through
Written and Directed by: Alexandra Monro + Sheila Menon
Mentor: Jim Threapleton
No Way Through highlights mobility restrictions imposed in the
West Bank, that are limiting its habitants’ access to health
care, thus violating a fundamental human right.
War
School
Writer and Director: Ben Newman
Mentor: Aoife McArdle
Opting for a short based around war + peace, Ben Newman came up
with one of the most popular entries, gaining praise across the
board by re-creating a military training camp for child soldiers
in a British school. It was described by Riz Ahmed as a great
idea, simple, communicating a direct message.
We'd really love any feedback you have on the films!
(I'm the community manager for Ctrl.Alt.Shift and I got permission from Doug McFarlane before posting this.)


